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1、文人画中的“四君子”指的是? Who are the Four Gentlemen in literati painting?A.梅、兰、竹、菊 Plum blossom、Orchid、Bamboo、ChrysanthemumB.梅、兰、荷、菊 Plum blossom、Orchid、Lotus、ChrysanthemumC.梅、兰、柏、菊 Plum blossom、Orchid、Cypress、ChrysanthemumD.松、竹、菊、梅 Plum blossom、Orchid、Pine tree、

题目

1、文人画中的“四君子”指的是? Who are the Four Gentlemen in literati painting?

A.梅、兰、竹、菊 Plum blossom、Orchid、Bamboo、Chrysanthemum

B.梅、兰、荷、菊 Plum blossom、Orchid、Lotus、Chrysanthemum

C.梅、兰、柏、菊 Plum blossom、Orchid、Cypress、Chrysanthemum

D.松、竹、菊、梅 Plum blossom、Orchid、Pine tree、Chrysanthemum


相似考题
更多“1、文人画中的“四君子”指的是? Who are the Four Gentlemen in literati painting?”相关问题
  • 第1题:

    典型的美式称呼用法为()

    A、Dear Sirs,

    B、Dear Sirs:

    C、Gentlemen,

    D、Gentlemen:


    参考答案:D

  • 第2题:

    画面节奏指的是()。

    • A、画面所呈现出的韵律感
    • B、画中的色彩表现
    • C、画中主题的含意
    • D、作品的质量

    正确答案:A

  • 第3题:

    中国画中的四君子是,梅、兰、竹、菊。


    正确答案:正确

  • 第4题:

    以下对《文人画》的叙述,哪些是正确的()

    • A、王维被誉为“文人画之鼻祖”
    • B、属于宫廷绘画的一种
    • C、“岁寒三友”与“四君子”为常见题材
    • D、元代为文人画的兴盛期

    正确答案:A,B,C

  • 第5题:

    “将军文人”指的是()。


    正确答案:辛弃疾

  • 第6题:

    我国古代文人中,讲“画中有诗”“诗中有画”的文人是()。

    • A、李白
    • B、谢赫
    • C、王维
    • D、苏轼

    正确答案:C

  • 第7题:

    绘画中的“四君子”指的是()。

    • A、梅
    • B、兰
    • C、竹
    • D、菊
    • E、松

    正确答案:A,B,C,D

  • 第8题:

    梅、兰、()、菊被历代文人称为花中四君子。

    • A、藤萝
    • B、竹子
    • C、松树
    • D、葵花

    正确答案:B

  • 第9题:

    多选题
    下列四种花卉属于我国古代文人画中“四君子”的是()。
    A

    B

    C

    D


    正确答案: D,C
    解析: 暂无解析

  • 第10题:

    填空题
    绘画理论所谓“补画”,指的是画中的()。

    正确答案: 诗文
    解析: 暂无解析

  • 第11题:

    单选题
    我国古代文人中,讲“画中有诗”“诗中有画”的文人是()。
    A

    李白

    B

    谢赫

    C

    王维

    D

    苏轼


    正确答案: C
    解析: 暂无解析

  • 第12题:

    填空题
    “将军文人”指的是()。

    正确答案: 辛弃疾
    解析: 暂无解析

  • 第13题:

    I am very surprised that even an expert on foreign affairs can know the painting is forgery. ()he can tell who painted it.

    AHowever

    BOtherwise

    CNevertheless

    DMoreover


    D

  • 第14题:

    下列四种花卉属于我国古代文人画中“四君子”的是()。

    • A、梅
    • B、兰
    • C、松
    • D、菊

    正确答案:A,B,D

  • 第15题:

    绘画理论所谓“补画”,指的是画中的()。


    正确答案:诗文

  • 第16题:

    瓷器装饰中的高士图,是特指人物图画中以文人雅士情趣生活为题材的纹饰。


    正确答案:正确

  • 第17题:

    中国画以题材分通常为()画、()画、()画三大类。国画中传统四君子是指()。


    正确答案:人物;山水;花鸟;梅、兰、菊、竹

  • 第18题:

    宋代文人画赋予梅兰竹菊以道德品格,号称“()”。其后成为传统绘画中的独特门类。


    正确答案:四君子画

  • 第19题:

    梅、兰、竹、()被历代文人称为花中四君子。

    • A、桂花
    • B、玫瑰
    • C、菊花
    • D、月季花

    正确答案:C

  • 第20题:

    多选题
    绘画中的“四君子”指的是()。
    A

    B

    C

    D

    E


    正确答案: E,D
    解析: 暂无解析

  • 第21题:

    填空题
    宋代文人画赋予梅兰竹菊以道德品格,号称“()”。其后成为传统绘画中的独特门类。

    正确答案: 四君子画
    解析: 暂无解析

  • 第22题:

    多选题
    以下对《文人画》的叙述,哪些是正确的()
    A

    王维被誉为“文人画之鼻祖”

    B

    属于宫廷绘画的一种

    C

    “岁寒三友”与“四君子”为常见题材

    D

    元代为文人画的兴盛期


    正确答案: B,C
    解析: 王维是唐代著名的大诗人。 其实王维还是一位大画家,更确切地说,王维是“文人画”的鼻祖,也就是第一个画“文人画”的人。
    至元代,由于文人画家供职于宫中,渐渐将儒雅纵逸的文人画风带进内廷,给宫廷绘画艺术的审美意趣增添了一些个性化的笔墨。
    梅花,兰花,竹,菊花.被人称为“花中四君子”.品质分别是:傲、幽、坚、淡.梅、兰、竹、菊成为中国人感物喻志的象征,也是咏物诗和文人画中最常见的题材.
    清代到了文人画鼎盛的时期,涌现了诸多顶极文人画家,最突出的是“四僧”,“四僧”中又以八大山人突出。

  • 第23题:

    单选题
    I am very surprised that even an expert on foreign affairs can know the painting is forgery. ()he can tell who painted it.
    A

    However

    B

    Otherwise

    C

    Nevertheless

    D

    Moreover


    正确答案: C
    解析: 暂无解析

  • 第24题:

    问答题
    Abstract Expressionism  Abstract expressionism was the name for an artistic movement that emerged in the USA during the 1950s. It was also known as the New York School since most of the important artists lived there, at least for a time. During World War II many influential artists had fled the fighting and persecution of Europe and ended up in New York. The Abstract Expressionist group were made up of artists who had either come from Europe or who were directly influenced by the styles and techniques of those who had.  Abstract Expressionism is a term used for art that uses elements of Expressionism in an abstract way. They were also influenced by Surrealism. Expressionist artists used symbols and particular styles of painting to express feelings or emotions. Surrealists tried to express the subconscious by using through the actual process of painting. The physical property of paint (what it was like) was what was important. The style and the subject (what the painting was of) had lost all significance.  The recognition of the Abstract Expressionists by the art world meant that for the first time the USA became known as an important force in avant-garde art. The term avant-garde is often used in art, and is used to describe anything radically new or different. The Abstract Expressionists fitted this description perfectly. For the first time it was the physical act of painting that was important rather than the end product.  The New York School was not, in the strictest sense, an artistic movement. The Abstract Expressionists included artists who had each developed their own individual styles. But there were enough similarities in the way they thought about and approached painting that gradually the group became known as the Abstract Expressionists.  Jackson Pollock, Willem de Kooning, Helen Frankenthaler, Lee Krasner and Franz Kline all became recognized for a technique called action painting. This was where spontaneous physical movement and gestures were used to produce paintings. The term action painting was originally used by the art critic Harold Rosenberg. He was referring to Jackson Pollock, who became famous for his drip paintings. Pollock used a revolutionary new technique, which involved dripping, pouring or squirting the paint from syringes directly onto the canvases. We now use the term action painting in a wider sense to refer to any technique of making a painting with energetic and spontaneous application of paint.  Other artists who also fall under the title of Abstract Expressionists include Mark Rothko, Barnett Newman and Clyfford Still. These artists invented a softer, calmer technique where paint is applied with brushes in large areas, or fields, of color covers the whole picture surface. This technique became known as color field painting.  Both the action and color field painters shared methods and ideals. Paint is applied in bold, simple brushstrokes, dribbles or splashes, with blocks of color to make the maximum visual impact. The huge physical size of the paintings matched the artists’ grand philosophical ideas.  Abstract Expressionists all shared a philosophy about painting. Paintings were a search for truth, or the hidden meaning of life. The artists tried to find a way of painting that did not have to follow any particular style or school ofart. This way people would not associate the painting with anything else. They would just look at it as a painting and form their own ideas of what it meant.

    正确答案: 【参考译文】
    抽象表现主义 抽象表现主义是20世纪50年代开始在美国兴起的,又称为“纽约画派”。在二战期间,许多富有影响力的欧洲艺术家,为了躲避连绵的战事和迫害,迁至纽约定居。这些人后来成为抽象表现主义的奠基人,而那些没有欧洲渊源的艺术家,其艺术风格和绘画技巧也受到他们的直接影响。
    从表现技巧上说,抽象表现主义既是表现主义绘画元素的抽象运用,又受到超现实主义的影响。表现主义运用各种象征符号或是特殊的绘画风格来表现画家的情感和感受。超现实主义强调潜意识,运用扭曲的线条和富有象征意义的形象来表现作品。而抽象表现主义重视的是实际的绘画过程,它关注的是画作本身,而不是绘画的风格和描绘的对象。
    抽象表现主义使得美国首次成为国际公认的前卫艺术中心。在艺术领域中,“前卫艺术”这一术语代表了标新立异,用它来形容抽象表现主义真是再合适不过了。绘画过程本身则被艺术家重视起来。真正的艺术不是作品本身而是它们在人们大脑中的意义。正是这种不断解读从而延长了作品生命。
    从严格意义上讲,纽约画派并不是一项艺术运动,它是一群自成风格的艺术家的总称。抽象表现主义画家们很少形成固定的营垒,但是由于其观念相近,对作品的表现手法也存在着极大的共同之处。
    就表现技巧而言,“行动画派”强调即席创作,以直觉的行动和姿态来做画。杰克逊·波洛克(Jackson Pollock)、威廉·德·库宁(Willem de Kooning)、海伦·弗兰肯萨勒(Helen Frankenthaler)、李·克拉斯(Lee Krasner)和弗朗兹·克莱因(Franz Kline)都属于此派。“行动画派”的称谓最早是艺术评论家罗伯特·科茨(Robert Coates)在评论波洛克的作品时提出的。波洛克以其“滴画”技术而闻名。这一技法的革新性在于它抛弃了传统的作画方式,运用滴、泼或是水枪喷洒的方式直接在画布上作画。现在,“行动画派”被赋予了更为广泛的内容,泛指所有富有生命力和即兴的创作技巧。
    “色域画派”是抽象表现主义的另一重要分支。其代表人物是巴尼特·纽曼(Barnett Newman)、马克·罗思科(Mark Rothko)和克里福德·斯蒂尔(Clyfford Still)。其方法是先画出鲜明清晰的线条轮廓再着色成画,作品讲究色域间强烈的色调对比,精细安排的色调差异,追求光滑完整、不显手法笔触痕迹的画面效果。有时甚至可以说是一种颜色直接加入到另一色域之中。
    “行动画派”和“色域画派”的画家有着类似的创作技巧和创作理念。他们尽情挥洒着大胆、粗犷的线条,滴、溅、喷、洒,运用大面积的色块来营造最强烈的视觉效果。与此同时,巨幅的画面也表现了这些画家的艺术主张。他们认为绘画是为了寻求“真”,或者说不为人知的生命的意义。画家们竭力寻求一种独特的创作技巧,无需跟随于任何固有的风格或流派。这样人们就可以不受干扰、全神贯注地欣赏画作,体会作品本身给他们带来的感受,进而形成自己对作品的理解。
    解析: 暂无解析